December 7, 2008 – It’s not all signed talent and tour buses 24/7 here at One Louder Photo. Even though the photos don’t always hit the homepage, I enjoy shooting commissioned work for unsigned artists like Brooklyn’s own Joanna Levine. Originally from Toronto, Joanna is a sultry indie/folk songstress whose music reminds me a little of Kendall Payne (only it’s sexier and more Canadian). I caught up with Joanna and her band at Sullivan Hall.
Joanna was the first of two commissioned shoots I have before the holidays. Stay tuned for live shots and maybe a few promotional photos from The Energy’s sold out show at Blender Theater on December 18.
I used this shoot to break in my new Nikon D3. Shooting exclusively with the AF-S Nikkor 24-70 f/2.8, the sparse and contrasty lighting was the perfect proving ground for the camera’s heavily lauded low-light capabilities. Where there wasn’t any light, I made my own by way of the new Nikon SB-900 Speedlight and the SC-28 TTL off-camera cord.
This set was shot at ISO 800 – 6400 at roughly 1/160 and f/2.8. My exposure stretched a bit for shots of the Joanna’s band but in particular for Paul, her drummer, who was covered with smoke and harsh side lighting.
The D3 performed fabulously under subpar conditions. The contrast, detail and dynamic range retained at ISOs 3200 and 6400 is simply astonishing. Even the most cursory of image comparisons reveals a significant improvement over the files from my Canon EOS-1D Mark III. I’m happy to say that the D3 will be my defacto photographic tool for the foreseeable future.
I’ll be writing a formal post on the differences between shooting with Canon vs. Nikon soon. Look for a post this weekend.