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	<title>Comments on: Underexpose on Purpose</title>
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	<link>http://www.onelouderphoto.com/2009/02/16/underexpose-on-purpose/</link>
	<description>New York music photographer specializing in live music photography, band portraits, promotional shoots &#38; events.</description>
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		<title>By: wilson333</title>
		<link>http://www.onelouderphoto.com/2009/02/16/underexpose-on-purpose/comment-page-1/#comment-602</link>
		<dc:creator>wilson333</dc:creator>
		<pubDate>Fri, 02 Oct 2009 09:11:02 +0000</pubDate>
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		<description>Funny. Just read the opposite on Todd&#039;s site. But that was in regards to noise rather than exposure. He said to err on the side of 1/3 over and bring back in post. The old example of trading one for another I guess.</description>
		<content:encoded><![CDATA[<p>Funny. Just read the opposite on Todd&#39;s site. But that was in regards to noise rather than exposure. He said to err on the side of 1/3 over and bring back in post. The old example of trading one for another I guess.</p>
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		<title>By: chrisowyoung</title>
		<link>http://www.onelouderphoto.com/2009/02/16/underexpose-on-purpose/comment-page-1/#comment-601</link>
		<dc:creator>chrisowyoung</dc:creator>
		<pubDate>Fri, 02 Oct 2009 05:49:05 +0000</pubDate>
		<guid isPermaLink="false">http://onelouderphoto.com/?p=889#comment-601</guid>
		<description>Hi Wilson. The title of this post is actually sort of misleading in hindsight. I&#039;m not actually recommending that people serious underexpose their shots only to pull them back up in post, this as Todd suggest will create lots of nasty shadow noise. &lt;br&gt;&lt;br&gt;What I do recommend in tricky lighting situations is erring on the side of underexposure to ensure that you don&#039;t totally blow out the subject. I assuming I&#039;m shooting at a reasonable ISO for my camera (1600-2000 on my D3) I don&#039;t mind giving myself a buffer of  underexposure when the lighting is firing in strong bursts. Basically, I&#039;m betting that when the lighting flares and I start shooting, the underexposure I&#039;ve dialed in will help me get a properly exposed shot. &lt;br&gt;&lt;br&gt;If the lighting is fairly consistent, you should do as Todd suggests and &quot;expose to the right&quot; in order to minimize noise. Do keep in mind that any highlights that are blown by more than about 3/4 of a stop are gone for good.</description>
		<content:encoded><![CDATA[<p>Hi Wilson. The title of this post is actually sort of misleading in hindsight. I&#39;m not actually recommending that people serious underexpose their shots only to pull them back up in post, this as Todd suggest will create lots of nasty shadow noise. </p>
<p>What I do recommend in tricky lighting situations is erring on the side of underexposure to ensure that you don&#39;t totally blow out the subject. I assuming I&#39;m shooting at a reasonable ISO for my camera (1600-2000 on my D3) I don&#39;t mind giving myself a buffer of  underexposure when the lighting is firing in strong bursts. Basically, I&#8217;m betting that when the lighting flares and I start shooting, the underexposure I&#8217;ve dialed in will help me get a properly exposed shot. </p>
<p>If the lighting is fairly consistent, you should do as Todd suggests and &#8220;expose to the right&#8221; in order to minimize noise. Do keep in mind that any highlights that are blown by more than about 3/4 of a stop are gone for good.</p>
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